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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 15, 2020 | Phillips | London | New Now | 216 | $****** - ****** | Five works: i) Untitled #341; ii) Untitled #343’ iii) Untitled #345; vi) Untitled #334; v) Untitled #355 |
photographs
96.2 x 66.5 cm (37.87 x 26.18 in)
i), ii), iii), vi) gelatin silver print
v) c-print
Metro Pictures, New York
Acquired from the above by the present owner
i) ii) iii) vi) New York, Metro Pictures,
Cindy Sherman
, 15 May - 26 June 1999 (another example exhibited)
v) London, Serpentine Gallery,
Cindy Sherman
, 3 June – 25 August 2003, p. 16 (another example exhibited and illustrated)
ii) iii) vi) v) Paris, Jeu de Paume; Kunsthaus Bregenz; Copenhagen, Louisiana Museum of Modern Art; Berlin, Martin Gropius Bau,
Cindy Sherman
, 16 May 2006 – 10 September 2007, pp. 193, 198 – 199, 207, 227, 265 and 267 (another example exhibited and illustrated, pp. 193, 198 – 199, 207)
i) Zurich, Fotomuseum Winterthur,
Darkside II – Photographic Power and Violence, Disease and Death Photographed
, 5 September – 15 November 2009, p. 65 (another example exhibited and illustrated)
v) New York, Museum of Modern Art,
Cindy Sherman
, 26 February – 11 June 2012, p. 202 (another example exhibited and illustrated)
i) ii) London, Sprueth Magers,
The Vivisector
, 23 November 2012 - 26 January 2013 (another example exhibited)
iii) vi) Oslo, Astrup Fearnley Museum; Stockholm, Moderna Museet; Kunsthaus Zurich,
Untitled Horrors
, 4 May 2013 – 14 September 2014, pp. 10 -11, 190, 193 and 227 (another example exhibited and illustrated on pp. 10 - 11, 190, 193)
v) Los Angeles, Broad Museum; Columbus, Wexner Center; Brisbane, Queensland Art Gallery | Gallery of Modern Art,
Imitation of Life
, 11 June 2016 – 2017, p.115 (another example exhibited and illustrated)
i) iii) vi) v) Silkeborg, Museum Jorn,
Cindy Sherman
, 23 September – 10 December 2017 (another example exhibited)
i) ii) Los Angeles, Jeffrey Deitch,
All of Them Witches
, Jeffrey Deitch, Los Angeles, 8 February – 11 April 2020 (another example exhibited)
i) Jutta Koether, ‘Old Witnesses,’
Camera Austria
, 1999, no. 67, pp. 18-29 (another example illustrated)
ii) Catherine Morris,
The Essential Cindy Sherman
, New York, 1999, p. 109 (another example illustrated)
ii) Gunilla Knape, ed.,
Cindy Sherman
, Goteborg, 2000, p. 33 (another example illustrated)
v) Wayne Koestenbaum, ‘Fall Girls,’
Artforum
, September 2000, p. 150 (another example illustrated)
i) vi)
Hysteric Two
, Hysteric Glabour, Tokyo, 2001, pp. 12, 19 (another example illustrated)
vi) Deborah Aaronson, ed.,
Photography Transformed: The Metropolitan Bank & Trust Collection
, New York, 2002, no. 233, pp. 252 and 264 (another example illustrated)
ii) Julie Routart, ed.,
A Cindy Book: c. 1964-1975
, Paris, 2006, n.p. (another example illustrated)
ii) Johanna Burton, ‘Cindy Sherman,’
The October Files
, Boston, 2006, p. 203 (another example illustrated)
vi) v) Francesco Bonami, ed.,
Cindy Sherman
, Milan, 2007, pp. 84, 89 (another example illustrated)
v) Gabriele Schor,
Cindy Sherman Das Früwerk 1975-1977
, Ostfildern, 2012, p. 70 (another example illustrated)
v) Eleanor Heartney,
After the Revolution: Women Who Transformed Art
, New York, Munich and London, 2013, p. 194 (another example illustrated)
vi) Lena Essling,
Untitled Horrors
, Ostfildern, 2013, p. 190 (another example illustrated)
iii) Paul Moorhouse,
Cindy Sherman
, London and New York, 2014, no. 95, p. 113, 146 (another example illustrated, p.113)
v) Joanne Heyler, Ed Schad and Chelsea Beck, eds.,
The Broad Collection
, Munich, London and New York, 2015, p. 169 (another example illustrated)
v) Rebecca Mutch, ed.,
Cindy Sherman
, Brisbane, 2016, pp. 29, 70 (another example illustrated)
v) Nicolas Trembley, ed.,
The SYZ Collection
, Zurich, 2018, p. 136 (another example illustrated)
iii) Marie-Laure and Olivier Michelon, eds.,
Cindy Sherman
, Paris, 2020, p. 160 (another example illustrated)