Top-100 artists:

Five works: i) Untitled #341; ii) Untitled #343’ iii) Untitled #345; vi) Untitled #334; v) Untitled #355 by Cindy Sherman

Five works: i) Untitled #341; ii) Untitled #343’ iii) Untitled #345; vi) Untitled #334; v) Untitled #355, 1999

I), ii), iii), vi) gelatin silver print v) c-print
96.2 x 66.5 cm (37.87 x 26.18 in)
Photographs
Unique artwork
LiveArt Estimate™
Not yet available
Last recorded sale at Phillips, London (15 Jul 2020)
$******

Get More Art Market Insights With Free LiveArt Account

We use our proprietary AI - Estimate LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:

  • LiveArt Price History
    LiveArt Price History
  • Artist Career Path
    Artist Career Path

Free to sign up. No credit card required.

Past Sales
help
ImageSale dateAuction houseLocationSale nameLot No.EstimatePrice SoldConditionTitle
Jul 15, 2020
PhillipsLondonNew Now216
$****** - ******
Five works: i) Untitled #341; ii) Untitled #343’ iii) Untitled #345; vi) Untitled #334; v) Untitled #355
Similar Artworks
help
Artwork Description
Category

photographs

Dimensions

96.2 x 66.5 cm (37.87 x 26.18 in)

Materials

i), ii), iii), vi) gelatin silver print

v) c-print

Provenance

Metro Pictures, New York

Acquired from the above by the present owner

Exhibited

i) ii) iii) vi) New York, Metro Pictures,

Cindy Sherman

, 15 May - 26 June 1999 (another example exhibited)

v) London, Serpentine Gallery,

Cindy Sherman

, 3 June – 25 August 2003, p. 16 (another example exhibited and illustrated)

ii) iii) vi) v) Paris, Jeu de Paume; Kunsthaus Bregenz; Copenhagen, Louisiana Museum of Modern Art; Berlin, Martin Gropius Bau,

Cindy Sherman

, 16 May 2006 – 10 September 2007, pp. 193, 198 – 199, 207, 227, 265 and 267 (another example exhibited and illustrated, pp. 193, 198 – 199, 207)

i) Zurich, Fotomuseum Winterthur,

Darkside II – Photographic Power and Violence, Disease and Death Photographed

, 5 September – 15 November 2009, p. 65 (another example exhibited and illustrated)

v) New York, Museum of Modern Art,

Cindy Sherman

, 26 February – 11 June 2012, p. 202 (another example exhibited and illustrated)

i) ii) London, Sprueth Magers,

The Vivisector

, 23 November 2012 - 26 January 2013 (another example exhibited)

iii) vi) Oslo, Astrup Fearnley Museum; Stockholm, Moderna Museet; Kunsthaus Zurich,

Untitled Horrors

, 4 May 2013 – 14 September 2014, pp. 10 -11, 190, 193 and 227 (another example exhibited and illustrated on pp. 10 - 11, 190, 193)

v) Los Angeles, Broad Museum; Columbus, Wexner Center; Brisbane, Queensland Art Gallery | Gallery of Modern Art,

Imitation of Life

, 11 June 2016 – 2017, p.115 (another example exhibited and illustrated)

i) iii) vi) v) Silkeborg, Museum Jorn,

Cindy Sherman

, 23 September – 10 December 2017 (another example exhibited)

i) ii) Los Angeles, Jeffrey Deitch,

All of Them Witches

, Jeffrey Deitch, Los Angeles, 8 February – 11 April 2020 (another example exhibited)

Literature

i) Jutta Koether, ‘Old Witnesses,’

Camera Austria

, 1999, no. 67, pp. 18-29 (another example illustrated)

ii) Catherine Morris,

The Essential Cindy Sherman

, New York, 1999, p. 109 (another example illustrated)

ii) Gunilla Knape, ed.,

Cindy Sherman

, Goteborg, 2000, p. 33 (another example illustrated)

v) Wayne Koestenbaum, ‘Fall Girls,’

Artforum

, September 2000, p. 150 (another example illustrated)

i) vi)

Hysteric Two

, Hysteric Glabour, Tokyo, 2001, pp. 12, 19 (another example illustrated)

vi) Deborah Aaronson, ed.,

Photography Transformed: The Metropolitan Bank & Trust Collection

, New York, 2002, no. 233, pp. 252 and 264 (another example illustrated)

ii) Julie Routart, ed.,

A Cindy Book: c. 1964-1975

, Paris, 2006, n.p. (another example illustrated)

ii) Johanna Burton, ‘Cindy Sherman,’

The October Files

, Boston, 2006, p. 203 (another example illustrated)

vi) v) Francesco Bonami, ed.,

Cindy Sherman

, Milan, 2007, pp. 84, 89 (another example illustrated)

v) Gabriele Schor,

Cindy Sherman Das Früwerk 1975-1977

, Ostfildern, 2012, p. 70 (another example illustrated)

v) Eleanor Heartney,

After the Revolution: Women Who Transformed Art

, New York, Munich and London, 2013, p. 194 (another example illustrated)

vi) Lena Essling,

Untitled Horrors

, Ostfildern, 2013, p. 190 (another example illustrated)

iii) Paul Moorhouse,

Cindy Sherman

, London and New York, 2014, no. 95, p. 113, 146 (another example illustrated, p.113)

v) Joanne Heyler, Ed Schad and Chelsea Beck, eds.,

The Broad Collection

, Munich, London and New York, 2015, p. 169 (another example illustrated)

v) Rebecca Mutch, ed.,

Cindy Sherman

, Brisbane, 2016, pp. 29, 70 (another example illustrated)

v) Nicolas Trembley, ed.,

The SYZ Collection

, Zurich, 2018, p. 136 (another example illustrated)

iii) Marie-Laure and Olivier Michelon, eds.,

Cindy Sherman

, Paris, 2020, p. 160 (another example illustrated)